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is seen as the father of the pulp and glamour aesthetic, yet his photographic works are still scarcely known. He came to New York in 1951, intent on becoming a musical star, and earned his first wages as a drag performer in Manhattan's legendary Club 82. His "serious" employment as a window dresser, freelance photographer, and costume designer enabled him to collect the material he needed for his own photo shoots, for which he built complex sets-often in his tiny apartment.In his photographs and films, he pays homage to the youthful male body via elaborate stagings of his romantically shimmering visions of a homoerotic paradise. This monograph presents a complete overview of James Bidgood's influential body of work.